production Archives | Page 3 of 4

FGP3-8: Audio Design in Games and VR

In today’s podcast, Brandon and Dan are joined by Filament’s Ethan Cayko for a discussion of practical audio techniques for game development. Tune in for a technical discussion of audio and the ways it can impact a player’s sense of space and immersion. We’ll also discuss the lusory attitude, what exactly is meant by “head-related…

June 20, 2017 // Brandon Pittser

Filament Games | Educational Game Developer

How Filament Games Conducts User Testing

An essential part of educational game development is user testing – something we treat very seriously and with a lot of importance. This is because conducting user testing throughout the development cycle is a critical, necessary process to obtain important feedback on the usability of the game, the effectiveness of the game as a learning…

June 1, 2017 // Jennifer Javornik

Alpha, Beta, Gold: A Commitment to High-quality Game Development

When I talk to prospective clients, I always try to KIJF (keep it jargon free). That being said, there are a few terms that are just helpful to know. In this post, we’ll look at each of the three release phases that make up a typical game development project with us: Alpha, Beta, and Gold…

May 10, 2017 // Jennifer Javornik

What I Learned in my First Six Months as a Producer at Filament Games

Hi, my name is Ethan and I am new here. I am new to Wisconsin, I am new to educational game development, and in October 2016 I was new to Filament Games. The past six months have taught me more than I could possibly recount in blog post form, but I would like to use…

March 30, 2017 // Ethan Cayko

4 Tips for Creating Successful Client Relationships

We’ve had a lot of amazing clients over the years here at Filament. When your day-to-day job is to design creative projects that help people, you wind up meeting a ton of incredible people. But it’s not always rosy- making learning games is a risky, strange process with a lots of twists and turns. Ideas…

November 9, 2016 // Dan Norton

What You Need to Know Before Speaking with an Educational Game Studio

So you’ve decided to work with an educational game studio on your next project, but you don’t know where to start. At Filament Games, we have experience working with a wide variety of clients, so we are adept at determining the best fit for just about any project. That being said, there are a few…

September 20, 2016 // Abigail Rindo

Taking Your Game From Version 1.0 to 2.0

I have written about the importance of considering cost during the early stages of project development, and provided a broad overview of what to expect during the production process. Now that you’ve officially launched the game, you may be considering taking your project to version 2.0. Before developing ideas on how to best position your project for…

September 8, 2016 // Stephen Calender

Pitfalls of Rigidly Following a Formalized Game Development Process

Filament’s formal game development processes have benefited greatly from our Work-for-Hire business model. Throughout any given year a multitude of small projects have guaranteed rapid iteration on our ideas of how best to make games. I’ve always thought we’ve been reaching for the ideal. I was convinced that there was some process nirvana that was…

May 11, 2016 // Arthur Low

FGP 15: How Did I Get Here?

Welcome to Episode 15! Join us on the Filament Games Podcast for a behind-the-scenes look at how Abigail Rindo, Lead Producer, and Stephen Calender, Game Engineer, decided to create learning games and what drew them to Filament. Hot Topics in This Week’s Episode Monsters Ate My Birthday Cake Oxenfree Cities: Skylines Stardew Valley More Information…

March 22, 2016 // Kat Shanahan

How to Conduct Playtests

Making software–any software, whether it’s an app on your phone to help you manage your finances or a game for the Playstation 4–is hard. Making good software that doesn’t drive your users nuts is harder because you have to pay attention to something called usability. People have brains, and brains have limits in how much…

February 24, 2016 // Marshall Behringer

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